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Tony Bevan - (Saxophonist)
Perhaps the worlds leading bass saxophone player. Although long established by his peers and his CDs, Tony continues to gain critical acclaim for his work.

1.

Chet Baker in Paris - CHET BAKER
For the quartet tracks, which feature Baker at his best, over Twardzik's chiming dissonances, on the enigmatic compositions of Bob Zeiss. Pretty marvellous, to be honest.
2. The Great Lars Gullin - Vol 5 - DANNY DREAM and MANCHESTER FOG
Another great European improviser: here establishing something distinctly European (or even Swedish). A better Baritone player than Mulligan or Chaloff in my opinion. Lovely music.
3. Same - HAROLD McNAIR
Sorry to go for an obscure one, but if enough people show interest maybe we can get it re-issued. McNair was the Sonny Rollins of the flute. For my money the best jazz flautist ever.
4. Four Compositions for Sextet - TONY OXLEY
At a time when the efforts of other British musicians of the period were being hailed (Don Rendell, Ian Carr), these are the one's that really went on to make a mark on the world stage.
5. Pakistani Pomade - ALEX VON SCHLIPPENBACH
First record from a great trio - "Sun Luck Night Rain" the key track, Evan breaking ahead of the pack.
6. Duo - DEREK BAILEY and TRISTAN HONSINGER
Just re-released on CD, with some (earlier) extra tracks, the most striking thing about the music is how exciting it is (yes, Improvised music is exciting- doubters!).
7. Spirits Rejoice - LOUIS MOHOLO
With Evan Parker, Kenny Wheeler, Keith Tippet, Johnny Dyani.
A great record from a great period - Wedding Hymn" should be in everyone's Top Ten.
8. Sunday Best - GARRY TODD and ROGER TURNER
Garry showed me that you could find a way to improvise on the saxophone while remaining true to your own influences and tastes - it didn't have to be like Evan or Brotzmann.
9. Pleistozaen Mit Wasser - CECIL TAYLOR and DEREK BAILEY
Miraculous. A true meeting of giants EVERYBODY should own this.
10. Nailed - CECIL TAYLOR, EVAN PARKER, BARRY GUY and TONY OXLEY
Demolishes any arguments about the gap between American & European improvisers, and (again) demonstrates that the best Brits have been playing with the Americans for years.
© 2012 Friends of Teignmouth Jazz Festival Legal